No Limits in Fashion Photography: the Uber-Body
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Abstract
This article aims to problematize the language of photography of contemporary fashion constituted on the conjuncture no limits. The understanding of no limits derives from the fluidity of frontiers, from the deterritorialization of codes and senses and is outlined in corporeity as an artifice. The theoretical basis is formed by the semiotics of culture with Lotman and the photographic language with Marra, supporting the reflection that transcends from the observation of a corpus that allows us to foresee a uber-body that is evidenced in fashion photographs that reveal the post-human, the inversion of the psychosocial and the excess of presence.
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